Recently I made a wearable muslin for the Blackwood Cardigan and learned that I really love this pattern. The sweater is long and has cuffs for warmth and style, has pockets and is very easy to sew. The lower band addresses the hemming dilemna that sometimes occurs with hand-sewn sweaters. What’s not to love. I’m eager to make another out of a different fabric.
I used a wool, poly and bamboo knit that’s cozy warm but which has poor recovery and pilled after a single washing, making it the perfect fabric for a muslin.
As for the pattern, I made a few changes:
- The front band is 2″ wide and hangs nicely down the front however it doesn’t overlap, which is a personal preference. So I removed the band and thankfully had enough fabric to cut a new band, doubling the width to 4″. For the next try I’ll go with a 3″ band.
- The patch pocket is topstitched, which isn’t my favorite method on this type of knit. Even after using iron-on tape, the top-stitching looked wavy and uneven. And that’s the point of this blog post. Here’s my try at topstitching the pocket (sorry about the poor color but you get the point).
In a creative moment, I decided to try attaching the pocket using a very narrow zig-zag stitch (after using iron-on fusible tape to keep the pocket in place). Here’s the result, which I really like:
To do this, I used matching thread and a stitch width of 1 (out of 4) and a length of 3 (out of 4), just catching the edge of the pocket with the needle. For the navy band I switched to navy thread. After it was sewn, I gave the pocket a little tug to make the stitches disappear into the fabric. The pocket has of a 3-D look and appears more like ready-to-wear.
I’ll give this pattern another try soon and will see if this method works with different fabric.
This Grainline Studios Morris Blazer had a previous life as a twin bedsheet that was made from a twill jacquard Egyptian cotton. Unfortunately the previous owner had a bleach accident and donated the sheet to St. Vinnie’s. I found it in a bin for $.50 and was enamored by the quality and weight of the cotton and by the lovely jacquard design. Hence it came home with me. I removed the elastic and casing and it lived on my “to be dyed” pile for a while. Here is the orphan sheet:
This winter when I was snow dyeing a few items, the sheet received it’s new life. Actually I snow dyed it twice as the first time it turned out too light for my taste, but the second time it came out beautifully. Here’s the link to the first dyeing and one more for the second dyeing.
The Dreaded Muslin:
Most often I don’t make a muslin but because this pattern is intended for stretch woven fabric I used a worn-thin bedsheet to make one and it was worth the effort. Based on this sample I made a narrow back adjustment, my usual sway back adjustment and added a French dart in the front along a fairly large wrinkle line. In the end I probably should have made a size larger as the dyed fabric had minimal “give” whereas the muslin was fairly lightweight and not very stable; a case of over-fitting. As mentioned in some patten reviews, I also scooped out the armhole about 1/2″. Last of all I lengthened the jacket 1.5 inches which is uncommon for me, a height-challenged person.
After the fairly easy jacket construction, I added 1/8″ of uncorded piping to the edge. The inside seams have a Hong Kong finish, made from the lining of a prom dress. Because of the weight of the fabric, I did not use a interfacing, which turned out fine for this jacket.
The Grainline Studios Morris Blazer is: “… a mixture of drape and structure, bracelet length sleeves, and a gentle shawl collar, it looks great dressed up or down. It sews up well in fabrics with stretch making it comfortable for everyday wear.”
This was a really fun project. If you’ve never tried snow-dying or ice-dyeing, it’s really quite easy and fun as you’re always surprised by the outcome. And it’s a great example of how you can find great fabric in a variety of ways.